Condorcet and Robot Cockroaches

Condorcet came up with a theorem about juries and how, if a group of people share their knowledge on a topic, they will come to a better decision than the average of the decisions each would make as an individual.  Of course as soon as this sounds great, they start coming out with limitations:  group-think can reduce the value of decision-making.  If, like the Republicans insist on doing, one large sub-group all decides to think the same, then the overall decision loses power.  There are other problems, groups may tend to make correct choices if there is an objectively correct choice, and if the group has some level of knowledge, and if all members of the group participate, but otherwise it’s likely that the group will not only make a wrong choice, they are more likely to stick to it.

But the real problem is that some powerful alien force can introduce robots.  This article explains how scientists model Condorcet’s theorem among animal communities. But they don’t just watch the animals, they create convincing robots which infiltrate the bug communities and convince them to do something self-destructive:

José Halloy of the Free University of Brussels used robotic cockroaches to subvert the behaviour of living cockroaches and control their decision-making process. In his experiment, reported in an earlier issue of Science, the artificial bugs were introduced to the real ones and soon became sufficiently socially integrated that they were perceived as equals. By manipulating the robots, which were in the minority, he was able to persuade the cockroaches to choose an inappropriate shelter—even one which they had rejected before being infiltrated by machines.

Just imagine if some other power tried to do the same thing with us?  They could send robots into our world, disguised as humans, and convince us to make self-destructive choices, such as ignoring global warming, invading Iraq, and giving away our civil rights.  That would make a good story, wouldn’t it?

Taken and Torture

During the movie Taken, one of my friends had a strong negative reaction to the torture sequence. Not because it was graphic, or even disturbing. He had a political reaction. Afterwards he said he nearly walked out because “torture never works”. My other friends thought it odd that he picked out that element. After all, hiding behind a couch to avoid bullets never works, either. Other things that never work:

  • Driving through a hail of bullets hoping the thin metal of your car will protect you.
  • Finding conveniently placed explosive barrels to help cover your escape.
  • Taking on a guy with a handgun using your super-duper fire extinguisher.
  • Recognizing a voice you heard over an international line, based on two words.
  • Shooting a middle-aged woman in the arm and saying “it’s just a flesh wound”.  Could be, could hit an artery.

But none of these things upset my friend.  He’s against the torture.  I went back and forth.  I’m also against torture, and also believe that it rarely gives reliable intelligence.  In fact, I don’t like the show, 24, in part because they constantly use torture to advance the plot in a way that seems to validate it as an intelligence gathering tool.

On the other hand, it’s just a movie.  We allow ourselves to enjoy movie protagonists who commit every kind of heinous act.  Torture doesn’t stand out over, say, murder, genocide, drug-dealing, or vampirism.  I thought people who got upset about the “torture quests” in WOTLK were idiots.  Still do.  So why shouldn’t this be the same?  I think that, had they really established the character they were shooting for, the father so blinded by rage and love for his daughter that he considers nothing else, it might have worked.  But in this case, Liam Neeson’s character never rises above a sort of everyman with talents.  So we don’t really separate his morals from our own.  So his choices are those of someone who we consider “moral”.

I do think my friend was being ridiculous, but I get just as ridiculous over other things, especially the off-screen hiding spot.  The hero walks into a room, looks around, and is suddenly jumped by a bad buy who was hiding off-camera.  It’s a good hiding place, because WE CAN’T SEE THEM.  The hero, though, shouldn’t be limited by the camera frame.  Liam Neeson does this once, walking out into a hall, apparently without noticing the bad guys, who then knock him out.  So they can hang him from a pipe.  This trope drives me crazy.  I haven’t walked out, yet, but then I’d have to explain and people would probably say “it’s just a movie.”

Not so Taken

Last night I saw Taken with three guy friends. A fourth joined us for dinner, but bailed before the movie started. Something about having to work on President’s Day. Whiner. Anyway, preconception was that it would be a quality action movie. After all, Liam Neeson?
neeson.jpg

But 30 minutes in, I turned to one friend and said: “Did we accidentally walk into ‘He’s not that into you?’” Because, up to that point, the movie was trying to establish characters and relationships, none of which were deeper than the shallowest made-for-tv emotion-fest. Actually, most of those are probably better. Liam Neeson plays a retired agent (CIA?) who LOVES his daughter. But DOESN’T understand her. His ex-wife left him BECAUSE HE PUT HIS COUNTRY FIRST. And she married a nicer, wealthier man who can give his daughter a horse for her birthday. If these people had ever seen a single “we separated because you did your duty” scene in any other movie, they should have just referenced it. Instead, they sort of walked through the stock quotes and stock feelings, piling cliche’ onto cliche’. And, while action movies are often cliche’-ridden, there were way to many relationship cliche’s and no action cliche’s. We get plenty of those later, of course, but why wait?

If the movie had achieved any kind of depth or quality, then a long build-up wouldn’t bother me. But sitting through tired scenes from old cop movies wasn’t building, it was just delaying.

Liam Neeson can never be entirely bad. But he tried so hard to be the clueless dad that he almost comes across as stupid. Then he goes nuts and destroys Paris, which was okay. But the over-the-top action could have been done just as well in a Vin Diesel movie. When you put better actors in place, you expect things to make more sense. Bullets are supposed to hit things, possibly even go through a couch, or car door, as they would in real life. But no, the action direction here is competent, but from the bullets-hit-everything-but-the-hero school.

Then there’s the utter lack of originality. Hang guy from pipe, guy breaks pipe. Of course pipe is filled with steam. I can’t recall one scene that I haven’t seen somewhere else.  Unlike, say, Jesus Christ, Vampire Hunter, in which almost every scene was both stupid and original.  There’s something to be said for that.

This movie is mildly defensible, I suppose.  It goes through the summer fun roller-coaster fairly quickly, after that long first 30 minutes.  But it’s a waste of Liam Neeson.

Why Realtime Television is Still Good

battlestar-galactica-20070118014017592.jpg

It seems like we’ve been waiting a long time for Hulu.  Or Netflix, Tivo, or YouTube.  I don’t have to watch my favorite shows when they’re on anymore.  I can watch whatever I want, when it’s convenient for me.  Yet I watch Battlestar Galactica on Friday night, at 10p.m.  I let other things pass so I can go home and watch it.  This week I even sat through Dollhouse because it was on before BSG and seemed interesting.

I love Battlestar Galactica, mostly because it’s the best television show, ever.  But would it really make a difference if I watched it the next day?  It’s not like watching football later, the show isn’t actually happening right now.  It was shot last summer and will air many times.  I partly watch it because I enjoy the ceremony of having a certain time.  Partly it’s because the show is so compelling I don’t want to wait any longer than necessary.

But there’s also a new reason for watching the show at a certain time.  Twitter and Facebook allow me to interact with other people watching the same show.  Twitter and Monitter allow me to see what other people are saying, and I can publish my own comments.  It’s like watching the show with a bunch of like-minded smart people.  This is good, because a lot of my real friends fail to understand why the show is so awesome.

Twitter also makes watching a mediocre show like Dollhouse more of an adventure.  Nobody knew what to expect, and as the show started revealing its flaws, all of us could talk about it.  By the end of the show, there were some redeeming features, and there was room to hope that Joss Whedon might make something of it.  But more importantly, watching it with everyone else was a good time.

The other reason I like watching television in real time is that it’s less of a committment.  Sometimes I like having the television on in the background, or I like to watch it for a short time.  But if I start a show on demand, or put a DVD in, then I’m prepping for full attention, and probably setting aside a full period.  So I’ll click over to bad Sci-Fi Channel movies or something else that requires little attenion.

Washington Post Endorses World of Warcraft!

Since the mainstream media is often anti-gaming, it’s good to see the Washington Post join the ranks of publications such as Business Week in pointing out that World of Warcraft players really are learning valuable business skills. The Post takes the position that, if it didn’t alarm people so much, you could totally list some of your gaming accomplishments on your resume. Raids, PvP successes, getting into a guild, and just leveling all require management of resources, tracking of tasks, coordination with others, and in some cases, selling yourself.

On the other hand, this guy has decided that World of Warcraft is a religion. I’m going to say that I think his definition is a little too loose. Any avid grouping might fall under it.

Twitter Dee, Twitter Dum

So I twittered the other day, while watching Saturday Night Live, that the McGrubber segment should just stop.  It’s never been funny, and adding McGuyver and Pepsi, all at once, hasn’t helped.  Actually, I Twittered.  Capital T to indicate the use of the Twitter social posting service that is gaining on pretty much everything.  Turns out that when you Twitter, people listen.  People you don’t know.  The next morning I was notified that “Pepsuber” was following my Twitter feed.  Who is Pepsuber?  Well, it seems that McGrubber is sponsored by Pepsi, and the actor is Twitting away under this new name.  To people who complained or mentioned McGrubber on Twitter.  He was suddenly following over 900 people that morning.  By “he,” I really mean some Pepsi marketing intern, I’m sure.  There are a number of genuine celebrities on Twitter, but since this smacks you every which way with “marketing campaign”, I’m thinking interns.