Quoted in the Post

Today’s Washington Post quotes me, as follows:

the $700 billion price tag “doesn’t seem comprehensible to me. Theoretically, most of it should be paid back, right?”

Now, I did say that. I even gave the writer (who is an attractive woman, BTW) permission to use the quote, by itself. I don’t have a problem with it, don’t feel I was mis-quoted or mis-represented. But I was curious about the nature of the story.

The reporter wanted to write a story about the “feelings” of the person on the street. When she first asked me, I explained I didn’t really have feelings. I had some thoughts. I gave her a lot of my thoughts. She noted that I seemed pretty well informed, implying I probably did have feelings. My quote was my way of saying that, because the number was so inconceivable, there was no point in processing it on an emotional level. In the article, it was just another feeling.

I liked the article, but I just think it’s interesting. Newspapers assign stories according to well-known structures. When they go out to find the quotes to fill in the structure, they find what fits.

Eagle Eye Expectations

How come expectations are such an integral part of how we enjoy movies? Not just good or bad, but also type, genre, tone. We know who’s in the movie, we think we know the genre, maybe we know the story. Maybe we’ve scene trailers and think we’ve got it pretty much down. Eagle Eye looked like it would be dumb. The plot looked stupid, and the characters seemed questionable. Mostly, it was pretty dumb. But because we weren’t expecting anything good, we enjoyed it. It stayed very close to expectations, often by stealing from other, better movies.

Meanwhile movies that really are good got trashed by some critics because they weren’t what critics expected. Hancock fell to this critical inflexibility earlier this summer, while Burn After Reading took a lot of flack for it more recently. You could blame to publicity people who put together the trailers. In both cases, the trailer weavers went for pure, light-hearted slapstick. Neither movie falls into that role. Both hit a turning point where the movie is no longer the thing you were promised. Something better, perhaps, but your expectations are already fixed.

Some people have little tolerance for the unexpected. Personally, I usually like it. If it’s good. But movies that don’t deliver what they seemed to promise, but then don’t give you anything else, are at the bottom of my FAIL list. (Epic Movie fits into this slot).